Never Too Old To Play

New York City, NY | Hester St. Playground | February 2019

New York City's China Town area is a treasure trove for street photographers and cultural experiences.

I noticed two gentlemen near the Hester Street playground playing the Chinese game of Xiangqi.

I didn't know if they played for toothpicks, hard dollars, or fun, but they were having a good time, and the bitter cold temperature didn't bother them.

Several onlookers were sitting and standing around their table, undoubtedly providing their advice for the next move.

Unfortunately, I had to move on and never got to know who won.

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Hello Mrs. Cartier-Bresson

Greenville, SC | S Main St - W McBee Ave | January 2022

When I saw this lady walking towards me, I almost froze.

Where have I seen those sunglasses before?

Could it be?

Is it her?

If only HCB was here, he would be able to tell

61 years... impossible, it can't be her...

Maybe her daughter?

Paying Attention

Washington, DC | Lincoln Memorial | August 2014

One of the joys of street photography, actually the reason I think most street photographers do what they do, is observing people.

People on their own, in small groups, or, as in this image, in large groups of individuals who are not in any way related to each other than for the fact that they are coincidentally in the same place at the same time.

When visiting the Lincoln Memorial in 2014 (obviously very much during pre-pandemic times) I noticed that most visitors are not really paying attention to the statue of the great man. Several were walking around in circles like lost in the vast space of the Memorial building, some were talking in groups, and quite a few were busy taking selfies with their omnipresent phones.

Except…

Except for this one woman, who stood still in the middle of the moving, chattering and self-focused crowd.

She was looking at the image of President Lincoln. Paying attention. As if to say: “What can you tell me. What can you teach me.”

And isn’t that what we all should do more often? Paying attention. Putting the phone away. Stop talking. Stop being focused on ourselves. And just pay attention.

Passersby

Greenville, SC | S Main St | September 2021

This black and white image of two people in silhouette in downtown Greenville, SC probably depicts one of the most interesting parts of street photography.

We take pictures of strangers without knowing anything from them. Are they are happy or sad, rich or poor, on vacation or walking to work. We don’t know…

We take their pictures, but they are like silhouettes to us: we don't see the details of their lives.

Why Subjects Need Space

To Crop Or Not To Crop, The Question Is

I need to think more about when to crop my images and when not. Reducing what the viewer can see of the subject of an image to the bare minimum can take away from the message that I want to share.

Why I Sometimes Crop Images

While I challenge myself to get my composition right when taking a picture for my social documentary-type images, I sometimes still feel the need to crop the image for a better (very subjective indeed) result.

The reason to crop images, for me, can be one of two:

1. I want to change the aspect ratio of the image, or

2. I want the viewer to see something special.

The first reason is basically for esthetics: I really love images in the 4:5 aspect ratio and an added perk is that 4:5 images print great on letter-sized paper.

The main reason I would crop an image in post-production, however, is to ensure that the viewer sees what I want them to see. When reviewing some Street Candid images, I feel that the viewer would benefit from some guidance for what to look at to fully understand why I took the picture.

Why Cropping Doesn’t Always Result In A Better Picture

It is the second reason I want to talk a bit more about today. After reading the feedback I got on my initial publication of the image “Alley Leg”, I realized that cropping with the intent to show the viewer something special that I saw when creating the image, can actually work adversely

• Because I 'zoom' too far into the subject I want to show, the viewer does not see, can not see why I want to show it.

• If I want to show something important, the viewer doesn't grasp the importance.

• If I want to show something funny, the viewer doesn't grasp the joke.

The reason for this is that I eradicated the context from what I wanted to show.

I saw that something was important because I saw it in its context. I saw that something was funny because I saw it in a specific context. By cropping, I removed the context. And as a consequence, the viewer has no clue about what I actually want to show!

This, of course, is not always the case. Sometimes cropping can help to remove distracting elements from the image. And limited cropping might help to just improve the composition sufficiently to make the image more interesting.

And Sometimes Cropping Is Just “Not Done”

As I mentioned above, for my social documentary-type images I challenge myself to get my composition right in-camera. The main reason for this, as I explained in a previous article, is that I want to be as unbiased as possible when showing the viewer what happened during the events I documented. And although there always will be some subjectivity (whenever you take a picture you always have to decide what to show in the frame and what not), this challenge helps me to provide an as objective as possible record of what happened.

Good examples are the two images at the top of this article that are from the same event: one cropped, and one uncropped. Do you ‘read’ each image differently?

In Focus: Bargain Found

The Joy Of Finding A Bargain At A Madrid Market

Background Story

This image was created during a stroll in sunny Madrid, Spain, in August 2019.

I used my home leave from my assignment to South Africa to spend a week in Madrid with my wife, prior to traveling on to The Hague, the Netherlands, for some time with my youngest daughter.

Madrid has an abundance of squares (plazas), shopping streets, small back alleys, and parks to explore. The weather was great that week and we enjoyed a couple of days strolling through the beautiful capital of Spain.

That particular day we visited several open-air street markets, where a large diversity of goods was being sold. Fruit, vegetables, meat, fish, musical instruments, potter, leatherware, shoes, t-shirts, artisan bread, cheese, handheld fans, bags, tools; you name it, they sold it. And fabrics of course.

A fabrics stall at a market is always interesting to observe. Often the merchandise is just laying on a table or on the ground, and prospective buyers are picking it up, holding it to the light, and showing it to each other to determine if it is the right quality, size, and color for whatever they are creating at home.

And always there is this hope to find a real bargain.

As you can imagine, this creates numerous situations to make a photo. And this was just the right one for me.

How It Was Made

Only a couple of weeks earlier I was fortunate to purchase a just CLA’d Leica M4 and a Summaron 35mm f/2.8 lens for a very reasonable price. And since my wife brought my Voigtländer VCII lightmeter from home, I was experimenting with the camera, lens, lightmeter combination.

As you will know by now, I love black and white images and I had my favorite film, Ilford Delta 400, loaded.

Why It Works

The subject matter of this image is right up my alley: the busyness of the market, people interacting with each other, and the play of light and shadows.

The main subject is formed by the two hugging women in the center of the frame.

The pile of fabric and the piece held up by the lady to the left create a nice diagonal, leading the viewer’s eye through the composition.

The small tree and its support to the right and the larger tree to the left frame the main subjects of the image, while at the same time creating sub-frames for other points of interest: see the walking man perfectly framed by the small tree and the wooden support? This was a nice bonus that I only discovered after getting the film back from the lab.

As always, the light plays a major factor in making this image work for me. The harsh sunlight to the left and right of the group of women, with the shadows on the street in the foreground and the dark leaves of the trees, provides an additional frame for the main subject.

All parts work together to create several frames around the center of the image, focusing the view towards the two women in the center.

How Can This Image Be Used

There are several ways to use an image like this in a commercial setting.

There might be a hotel nearby that can use this image to show their guests the area they are located at, and how close they are to classical Madrid markets.

And the City of Madrid could use it to show prospective visitors its relaxed but lively street life and market culture, ideally for tourists who want to experience the real Spanish.

Although countries and cities are opening up after what hopefully was the worst of the Covid-19 / Coronavirus impact it might be a while until we can strolling the markets of Madrid again. Until then, images like this one will remind us of the better times to come.

In Focus: Food Envy

Pre-Pandemic Diners In The Hague

Background Story

We all remember those carefree pre-pandemic afternoons and evenings when we could stroll the streets without face masks and go to restaurants to enjoy a good meal without being restricted in how many friends to meet. Don’t we?

This image was created during a warm summer evening stroll in The Haag (Den Haag), The Netherlands, in August 2019.

I had spent a week in Madrid, Spain, with my wife and now enjoyed the additional time off with my youngest daughter who just moved for her studies to this lovely city in the Netherlands.

I stayed in the Park Centraal Hotel which is in a beautiful 160-year-old building. And in the Molenstraat and neighboring streets immediately outside the hotel are several small shops, restaurants, and eateries.

Tourists and locals alike enjoyed dining inside and on the terraces outside. The relaxed atmosphere, the darkening sky, and the light inside the restaurants created a tableau that depicted the typical Dutch “gezelligheid”. While this can be translated with “cosiness”, the Dutch word encompasses more: a general feeling of wellbeing and safety.

I find it always amusing to see how passersby look at people eating outside. In fact, they might not be as much interested in the diners as well as in the food on their plates. Are they deciding what they want to order themselves? Or are they going to an eatery which they anticipate has a less enjoyable menu; are they a bit envious maybe? Is food envy a concept?

Anyhow. The environment was right, the people were at the right place. And I made the photo.

How It Was Made

It was only in January of that year that I purchased the Fujifilm X100F, and I was still experimenting with its settings and discovering its capabilities.

I love black and white images (did you notice that all images on this website are monochrome?) and in this instance, I used the Acros standard camera preset.

Although I actually like that preset very much, when editing the image I selected the ON1 preset for Ilford Delta 400. I just love that film and I also wanted to check how the built-in preset would compare to scans from actual film images.

Why It Works

First of all, I like the subject matter.

A small city street with restaurants and outside diners. People passing by; what are they thinking?

Are the passers-by envious of the diners? Are the diners disturbed by the people walking in the street?

Then there are the leading lines that lead the viewer’s eye through the image.

The curb and the awnings are perfect examples of converging lines, anchored in the bottom right corner by the blackboard with snack offerings.

And, finally, the light. Ah, the light!

The combination of pre-sunset light and the soft incandescent light from the restaurants, creating that special atmospheric mood that is so typical of lazy summer evenings.

I can just not get enough of it.

How Can This Image Be Used

Images like this can well be used in a commercial setting.

Humphrey’s Restaurant might use it to connect their customers to the location (unfortunately their restaurant in the Molenstraat has been closed, but at the time of writing of this article they still operate a restaurant in Scheveningen, near The Hague), or to show them the great ambiance they have.

The Park Centraal Hotel can use this image to show their guests the nice area they are located at, and how close they are to restaurants and nightlife.

And the City of The Hague could use it to show prospective visitors how a big city can offer coziness and a safe environment to spend the evening.

With the current Covid-19 / Coronavirus-related restrictions in place, it might be a while until we can enjoy dining out in the Molenstraat again. But the time will come that we are allowed again! Until then, images like this will remind us how great having dinner outside with friends is.

In Focus: Watering Hole

Street Photography As An Urban Safari

Going out with the intent to create street candids sometimes reminds me of being on a safari.

An essential part of the fun when my family and I went on a safari in South Africa was the excitement of searching for wildlife before actually seeing any animals. The increased awareness of your surroundings and watching for any movement that could indicate a lion, elephant, giraffe, or one of the many antelopes.

Walking the streets of a city in search of candid street photos provides me the same excitement. Continually looking at people and their behavior, in the hope that something worthwhile photographing occurs.

A couple of months ago (this image is pre-Covid; hence the high number of people close together), I roamed the streets of downtown Greenville, SC, and noticed this group of people playing with the water of a fountain on Main Street.

The scene immediately reminded me of animals gathered around a watering hole as I have seen on safaris in South Africa. Even the person to the right fits nicely in the scene, appearing to stand on guard for the group.

I like how this image worked out and how it reminds me that going out for street photography is like being on an urban safari.