Why You Should Use Third-Party Lenses on Fujifilm X-Series Cameras

It Is Probably Not For The Reason You Expect

In last week's article, I mentioned that I purchased a TTArtisan 23mm f/1.4 lens for my Fujifilm X-Pro 1.

The initial motive for this purchase was to get a lens with a 35mm full-frame equivalent focal length. However, there is a second reason why I use this and other third-party lenses on the X-Pro 1.

And it is not about image quality.

Why I Use Third-Party Lenses on the Fujifilm X-Pro 1

While there are multiple third-party lenses with excellent image quality, I mainly use lenses other than Fujinon x-mount ones because these have distance and depth-of-field scales.

According to Fujifilm's overview of x-mount lenses, there are currently only three lenses with distance/depth-of-field scales: the 14mm f/2.8 R, the 16mm f/1.4 R WR, and the 23mm f/1.4 R.

While the 23mm would perfectly do the job and probably be easier since it would auto-focus, it also is about seven times the cost of the TTArtisan 23mm. So that would be an additional reason to go third-party.

As mentioned last week, I added the 23mm to my toolbox for focal length consistency because it matches the 35mm full-frame equivalent of the Summaron on my Leica M4.

Sometimes, however, I want to use a slightly longer focal length. For example, when I do not want to get too close to my subjects or when I can not get close enough to them because of the actual situation.

In those cases, I want to use a lens with a full-frame equivalent focal length of (about) 50mm or 75mm.

For these instances, I have several third-party lenses available that can either be directly used on the Fujifilm X-Pro 1 or by using an adapter:

• An AF Nikkor 35mm f/2.0D, which is a remains from my Nikon days

• An Industar 26M 50mm f/2.8, which usually lives on the FED-2

• A TTArtisan 50mm f/1.2, with x-mount

• And, of course, the Summaron 35mm f/2.8 from the M4

The x-mount TTArtisan goes directly on the X-Pro 1; I have specific adapters for the Nikkor, the Industar, and the Summaron.

Why Is A Depth-of-field Scale Important

As mentioned above, the depth-of-field scale is the main reason to use third-party lenses on a Fujifilm x-series camera.

This is important because it lets me use the zone and hyperfocal focusing techniques, allowing for extremely quick image-taking in the streets.

While all third-party lenses I have are either fully manual or only work as manual lenses on the X-Pro 1, zone-focusing with these lenses is quicker than autofocusing with Fujinon lenses!

If you don't know what zone-focusing is, you can read more about it in an article about zone-focusing with a Fujifilm x-series camera I published a while ago. In that article, you also can read how to zone-focus with x-series cameras when using lenses without depth-of-field scales (such as the fixed lens of the Fujifilm X100F).

How To Use Third-Party Lenses On A Fujifilm X-Series Camera

Since my third-party lenses only can be used as manual-focusing ones, I need to adjust several settings of the X-Pro 1.

First, set SHOOT WITHOUT LENS to 'ON' in Shooting Menu #3.

This allows for taking images without a Fujinon lens mounted.

Secondly, you can adjust the MOUNT ADAPTOR SETTING in Shooting Menu #3 to reflect the focal length of the lens you will be using. Note that this will not help or impact the actual use of the lens. This setting only registers the focal length of the lens you are using, which is then captured in the image's EXIF data.

Lastly, in Shooting Menu #5, I recommend setting MF ASSIST to PEAK. This will help get the correct focus using the Electronic View Finder (EVF). Focus peaking settings on the earlier x-series cameras, such as the X-Pro 1, are limited. The newer x-series cameras, however, have more extensive possibilities.

Notably, when zone-focusing with these manual lenses, I do not even have to use focus peaking and can actually use the Optical View Finder (OVF) of the X-Pro 1. However, especially with wider angle lenses, of course, I then need to be aware of possible parallax errors.

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Behind The Scenes: From Both Sides Now

Freedom Of Speech At Work

I captured today’s image while walking the streets of downtown Greenville, SC, looking for pictures for my fine art shop.

Background Story

Last Saturday I went to downtown Greenville, SC, which is just a 30-minute ride from where I live. I took the Fujifilm X-Pro1 with a Nikon AF Nikkor 35mm 1:2D mounted. The reason why I picked this camera/lens combination might be a topic for a future blog post.

The idea was, to create some images for my fine art shop, and to print at home for the upcoming Mini Farmers Market in our neighborhood. And maybe also capture some Street Candy on the go.

As you might be aware, 2020 is a Presidential Election year here in the USA and you probably are also aware that the candidates of the two largest parties are quite ‘verbal’ in addressing each other. So are their respective supporters.

How It Was Made

Strolling downtown I noticed a group of pro-Biden supporters who were protesting against his opponent: current President Trump. They were waving some signs, some were dressed up, and they were trying to get the attention of passers-by. All very friendly and not aggressive.

I took one or two shots on the go of this group and walked on, to my main subjects of the day: some old buildings in Greenville’s West End and Fluor Field. The latter is a minor league baseball field and home to the Greenville Drive, a feeder club for the Boston Red Sox.

Walking back to my car, I had to pass the demonstrators again. And as it happened, a small caravan of pickup trucks and other cars drove by displaying large US flags and pro-Trump flags. This cavalcade continued to drive on Main Street, through the group of pro-Biden supporters who were standing on the sidewalks to the left and right.

I raised my camera and quickly shot a couple of frames of this sight.

To me, this was just great!

Of course, both groups were shouting at each other and the people in the cars were honking the horns, but it was enthusiasm everyone displayed. Not anger, not being mean, but using their freedom of speech to try and get their message across.

The cars drove on to wherever they were going next, and the group on the street continued their demonstration for their cause.

And is this not how it always should be? Enthusiasm, but not anger. Passion, but no violence.

Why It Works

This is the image of the set I like best and it works for me first and mostly because it shows what it shows: the passion and the non-violent demonstrations.

Then, of course, there is the juxtaposition of the pro-Trump and anti-Trump supporters. The story of this year’s election captured in one frame.

And then there are some small details in the picture that add a bit extra. The ‘One Way’ street sign, for example. Is this a sign of what is happening elsewhere in the country, where opposing groups are less peaceful? The face masks. A sign of our times, or are they going to stay?

The more I look, the more I discover.